From a recording to content people watch.

The price of post-production depends on the length of the raw footage, the number of cameras, the complexity of the edit and what the output should contain: graphics, subtitles, audio work, color correction or short videos for social media. A simple webinar cut sits in a different price range than a dynamic promotional video. Once we have seen a sample of the footage, we prepare an exact quote.

From the raw recording we first remove dead air, technical dropouts and the wait before the start. Then come audio cleanup, a consistent picture, an intro sequence, speaker names and the presented slides. We split the finished video into chapters, add subtitles and prepare versions for YouTube, the website and social media. The recording becomes content that keeps working long after the event is over.

Yes, it is one of the most effective ways to get value from a recording. From an hour-long webinar, talk or podcast we pick the strongest ideas and turn them into short vertical videos for YouTube Shorts, Instagram Reels and TikTok. Each video gets an attention-grabbing hook, subtitles and a crop to the 9:16 format. One event gives you content for weeks.

A simple cut of a recording is usually ready within a few working days, while larger post-production with graphics, subtitles and a series of short videos takes one to two weeks. The deadline depends on the length of the footage and the number of outputs. If you need the video published shortly after the event, we agree on express processing in advance.

Send the original file in the highest available quality, ideally MP4 or MOV, not a version downloaded from a social network. If there is a separate audio track, footage from several cameras or the speaker's presentation, include those too. Large files are sent through shared storage such as Google Drive, Dropbox or WeTransfer. A list of speaker names and timestamps of key passages helps as well.

In most cases, yes. Noise, room echo, hum and uneven volume can be reduced significantly in post-production and the voice brought forward, with AI-powered tools helping along the way. Miracles do not happen, though: heavily distorted or broken audio cannot be fully rescued. That is why it pays to use a separate microphone close to the speaker during recording.

Yes. Besides post-production, we handle filming and live broadcasts of conferences, webinars, company events and presentations. When one team takes care of both recording and editing, the setup is planned around the intended outputs from the start, for example with separately recorded audio or shots suited to vertical videos. The result is a better recording and faster delivery.

Post-production is everything that happens to a video after filming: selecting shots, editing, color correction, audio editing and mixing, music, graphics, animation and subtitles. At the end the video is exported in formats for each platform. Post-production is what decides whether the result looks professional and whether viewers watch the video to the end.

A large share of people watch social media videos without sound, at work, on the tram or in the evening with the kids nearby. Subtitles make sure your message reaches them too and help keep viewers watching longer. They open up content to deaf viewers and to people still learning the language. A transcript of the spoken word also helps search engines and AI understand what the video is about.

All three platforms use vertical video with a 9:16 aspect ratio, ideally at a resolution of 1080 × 1920 pixels. Place important content and subtitles in the center of the frame, because the edges are covered by buttons and the caption. The platforms now allow videos several minutes long, but videos under one minute with a strong hook usually perform best.

Burned-in subtitles are a permanent part of the picture. The viewer always sees them and they look exactly the way we design them, which suits Reels, TikTok and Shorts. An SRT file is a separate text file with timing that is uploaded alongside the video, for example on YouTube or LinkedIn. Viewers can turn such subtitles off or switch the language, and search engines can read them.

Yes, AI tools can now transcribe speech automatically, draft subtitles, remove pauses and pick out interesting passages. They speed the work up considerably, but without a human check they make mistakes, in Slovak and Czech especially with names, technical terms and diacritics. The best results come from combining both: AI prepares the groundwork, a person decides on the edit and checks every subtitle.

In a company video you can only use music you hold a license for. Well-known songs from the radio are protected by copyright, and using them without permission risks a takedown as well as legal claims. Safe options are paid music libraries with a commercial-use license or music composed to order. Watch out for social network libraries too: business accounts are limited there to tracks cleared for commercial use.